Thursday, 27 September 2012

Magazine Advertisement

Kings Of Leon.
An abnormal illustration has been added to the magazine advertisement in order to catch a passer by's eye. This picture is easily recognised by the public and especially the market they intend to sell too, advertising the band's CD/digipak release. Simplistic details about what the song is and when it is released are mentioned, giving all the information needed to know, without over bearing you with dates and times. The lighting and filter technique allow us to clearly see the image portayed on the advertisement, giving it an edgey look highlighting the dark lifestyle of rock.
 

 
 
Ellie Goulding.
 Due to the single released being called "lights" Ellie Goulding wanted to take the name more literally and apply the theme to her photo. The firefly effect within her hair and the background of the illustration, allows us to denote the song's promotion is more important than her own. This allows her music to be easily recognised, through literal photography. A simplistic colour sceheme of mainly black and gold has been used contrasting each other from darkness and glitsiness.
 


Wednesday, 26 September 2012

Digipak's


Digipak

 Open up as a book style package. Could include a DVD of Special Effects for things such as collective editions. They hold their value. They can physically hold more. Un crack able covering.

Pros

·         Eye catching, aesthetically pleasing, different.

·         Shatterproof- they don’t crack

·         Cheap to produce (in bulk)

·         Good for display of graphics

·         Environmentally friendly

·         Can accommodate all sorts of needs

·         Innovative premium product

·         More visual/info on display

·         A bespoke solution- lots of possibilities

·         More design options

·         More room for display



Cons

·         They are prone to tearing or ripping

·         Plastic teeth/cd holders can break

·         More expensive

·         Trays can break/come away from other packaging

·         CDs fall out if anything breaks

·         Look old and “ragged” quickly



Analysing a Digipak

Rihanna-LOUD

One continuous image occures over 3 different pannels. We associate the roses with love/lust, making Rihanna appear as a symbol of romance and beauty.
 The colour of the flowers are an exact match to the colour of her hair, making her skin tone and dress stand out to the audience, focusing on her, rather than the background image.
Her light pink dress is contrasting the heavy, vibrant image of the rose. It suggests innocence, another side to Rihanna's well known raunchy image.
The light pink photo of the rose on the actal CD itself, reflect Rihanna's versitility as an artist in order to maximise her sales. Two different sides of love are shown whilst advertising Rihanna through the image of the rose and the simplistic colour scheme.
 Her light pink, ballerina-style dress reflects the innocent, pure side of Rihanna making her appropriate for a younger as well as an older one.
 Seductive facial expressions from Rihanna attracts males to the cover, proving the idea that "sex sells."
 Minimalistic writing on the cover of the digipak, shows us that less is sometimes more in the media industry. Due to Rihanna being so well known, there is no need to complicate the layout with more writing as a simple close up photograph will sell millions of her records.



 This digipak sold 207,000 copies within the first week of release.

POP/DANCE/RnB genre's.






Coldplay- VIVA LAVIDA

This digipak is had 4 different pannels.

  The title is spannish and has two different meanings, "long live life" or "live life"
 Due to the saying being in Spannish, and the front cover clearly showing a French flag, we can infer that Coldplay are giving the historic messgae about Napoleonic wars, when the French revolution almost took over Europe. By chosing a historic picture, coldplay automatically attract a mass number of the public who have knowledge on the history of Europe. It also attracts people who can speak Spanish, as the picture would puzzle them, and over all would capture many of the public's attention, as many people will infer it differently. No mention of the bands name is located on the front of the digipak due to the phrase being so greatly associated with them.

Inside the digipak a very limited simplistic style is shown. Individual shots of the band members and a dark grey background with yellow writing explaining the bands name and title of the digipak.

 The back of the digipak just shows the songs appearing within it, in the same font and yellow as inside.

 This digipak's simplicity shows just how big the band are, the phrase on the front tells everyone who it is, without naming their actual name. Only a greatly successful band would be able to sell large amounts of this digipak when it is this simplistic, as without audience reognition no one will pick it up.

Over 6.4 million copies world wide. Genre- Baroque pop

Tuesday, 18 September 2012

Music promo timeline


 1960’s

 Bob Dylan “Subterranean Blues”

This promo was taken in one continuous shot. No miming, colour or edits were put into this video. We could infer from this that Bob Dylan wanted the video to be all about the lyrics to the song, allowing the audience to interpret a narrative themselves. It was incredibly simplistic and although colour had been in cinema over 20 years in the 60's, Bob Dylan insisted in black and white recording.

 

1970’s

 The Beatles “Strawberry Fields”

 Many different shot types were incorporated into this video. They used miming to give the effect of singing the song within the promo and the use of colour has been put it. Filters were used to give effects of strong colours. The use of reverse was put in through editing. The promo seems like as many effects as possible were put in, this leaves the audience feeling slightly dizzy and over whelmed, it could be giving the impression of being on drugs as the 60’s/70’s were known as the “hippy phase.”  

 

 The Monkee’s- Constructed band, they included things such as wacky comedy, jump cuts and surrealism.

 

 Queen “Bohemium Rhapsody”

 This is the first recognised video to be a pop promo. It has a non-linear narrative and uniformity costumes. This allows the audience to recognise the band as equals in unison in comparison to individual artists. It makes the people watching become the audience at their concert, giving us a flavour of their ability to play live, advertising ticket sales. Front and back lighting was used within the promo to highlight the band in a shot and show their faces, but no other part of them, focusing us on their mouth’s miming the lyrics making us involved with the words.
 

 MTV 1981

 When it first opened, it was a niche market for white male rock acts. It could be accused of unwelcoming to the black recording artists due to its limited market.



 It was around this time that artists started to spend a staggering amount of money on making a music promo. Duran Duran spent $1 million to make “Wild Boys”
 

Michael Jackson “Thriller” 1990’s

This video was seen as ground breaking. It was a 13 minute mini movie, as well as a music promo. It included things such as choreographed dances fitting the beat of the song, lip sinking in perfect time with a fitting narrative that attracts the audience. It included both narrative and performance within the video advertising seeing Michael Jackson live. It became number 1 in the charts and showed Michael Jackson to be in a different league to any other artist of the time.


Modern day artists
 Maroon 5


 

Thursday, 13 September 2012

Rihanna (ft Drake) - What's my name

Mise-en-scene
Urban setting, America. The stereotypical New York yellow cabs are featured to determine location. The costumes worn such as Rihanna’s hot pants and stripy blazer would be seen as standing out from the crowd, juxtaposing the narrative of “meeting a man over a pint of milk” turning the ordinary to the extraordinary. Everyone appears to be extremely casual and emotionless, in contrast, Rihanna is dancing through the streets and singing showing nothing is unordinary in such a location as no one takes a second glance.


Editing
Blured backgrounds occur in many shots, with Rihanna in the foreground, suggesting her importance within the video. We could also denote that no one in the world matters to her as long as she has the man within the video. Slow motion has been added when Rihanna and Drake are laughing together to emphasise their happiness to the audience. People in a crowd, their faces start blurred and then come into focus with slight eye contact to the camera, suggesting a “nobody” can become a “somebody” in today’s society.

Shot composition
Many shots of Rihanna’s different tattoo’s to show the audience her edge, typical convention of R+B. Lots of shots remain below Rihanna’s eye level. This suggests her dominance within the city and reflects that she is now in control of her life, rather than the city controlling her successes. The sunlight if always shown to be behind her. This suggests that she is “the new light” in the shot as she is blocking it from reaching us. Lots of close up’s occur between the couple, to suggest their closeness and affection for each other.

Narrative + comp
During the video, she walks past many people going about their everyday lives, tourists, people at work and none notice her. This goes against the idea of Rihanna’s fame and everybody knowing who she is, suggesting to us in this video that she wants a man who likes the real her, not her fame. The video also shows a lot of musicians who are currently unsuccessful, walking through the city giving us the idea of Rihanna once being like that, and the importance in her being well known through her music.

Monday, 18 June 2012

How we will select a track

 Due to the laws of copyright, we all need to chose a band/song which remains to be UNSIGNED. To do this, we wanted to throroughly look at the most frequently used and updated website of unsigned bands. By looking at this, we should get a clear idea of the genre of music we want to create a promo for. When our genre is clear, a fitting song should be much easier to find due to a narrow search.

  Although the website www.unsigned.com is regularly used by students to create a music promo, we wanted to explore a large variety of bands in order to get the right song for our group. Many songs which we liked had meaningful lyrics but poor vocals, or a very fast rap appearing for a large amount of the song, which would be a huge challenge to work on due to the speed at which the lip syncing would have to be done. The quality of the bands is a negative which we came across a lot, as a regular follower of the "UK top 40" I am used to listening to quality music, going back to beginers who haven't been signed gave us a bigger shock than we were expecting, understandably these bands have low fundings for recording and editing which meant we had to spend a lot of time finding a band which sound almost professional.
  

CHOSEN GROUP


Hannah Phillips-
Strengths: Editing on "imovie" and "final cut" ability to maintain a steady camera shot, experienced in appearing in videos performing a character to create a convincing narrative.
Weaknesses: Ensuring all preperation for shooting day is analysed to a high level.

Jessica Cooke-
Strengths: Ensuring the nessecary preperation for shooting day, creating an organised scheduele to keep the team focused at all times.
Weaknesses: Appearing in a video due to being "camera shy"

Kingston Capes-
Strengths: Ability to use advanced programmes such as photo shop to add new details to our music promo, also good at miming the words to songs in perfect syncranisation.
Weaknesses: Organisation, ensuring every tasks performed meets a deadline before the shooting day

  Henry Louth-
Strengths: Positioning the camera at complex angles in order to get the best shot, a wide range of ideas on the location of our music promo and a convincing actor.
Weaknesses: Doing complex editing on "Final Cut"


MAIN ROLES

Hannah Phillips
Planning, acting and editing

Jessica Cooke
Preperation before the day, filming

Kingston Capes

Acting, editing interviews for research into the genre we chose and our final piece
Henry Louth

Filming interviews, planning and filming the final piece




 TYPICAL MUSIC PROMO CONVENTIONS



 

 

Defining a Music Promo

Gotye- Somebody I Used To Know


Now and then I think of when we were togetherLike when you said you felt so happy you could die
Told myself that you were right for me
But felt so lonely in your company
But that was love and it's an ache I still remember

You can get addicted to a certain kind of sadness
Like resignation to the end, always the end
So when we found that we could not make senseWell you said that we would still be friendsBut I'll admit that I was glad that it was over

But you didn't have to cut me off
Make out like it never happened and that we were nothing
And I don't even need your love
But you treat me like a stranger and that feels so roughNo you didn't have to stoop so low
Have your friends collect your records and then change your numberI guess that I don't need that though
Now you're just somebody that I used to know
Now you're just somebody that I used to know
Now you're just somebody that I used to know

Now and then I think of all the times you screwed me overBut had me believing it was always something that I'd done
And I don't wanna live that way
Reading into every word you say
You said that you could let it go
And I wouldn't catch you hung up on somebody that you used to know

But you didn't have to cut me offMake out like it never happened and that we were nothing And I don't even need your loveBut you treat me like a stranger and that feels so rough
No you didn't have to stoop so low
Have your friends collect your records and then change your number
I guess that I don't need that though
Now you're just somebody that I used to knowSomebody, I used to know
(Somebody) Now you're just somebody that I used to know
Somebody, I used to know
(Somebody) Now you're just somebody that I used to know
I used to know, that I used to know, I used to know somebody


When looking into the lyrics, I instantly recognised that the song was talking about a break up within a relationship. When thinking about the video, you would expect to see the relationship narrative and why the couple broke up, however the music video is purely a performance with external background changes to keep the audience interested.

 THE FIRST CAMERA SHOT SEEN-

 The first shot seen by the audience is a high angled close up shot of a foot. This automatically demands the audiences attention due to thought provoking image displayed. The producer has played upon a largely known fear of feet and added this image as a shock. The start of a music video keeps the interest of the audience throughout the song, if the visual was weak, it would be more likely that the music channel would be turned over or they would listen to a different song.



After seeing the first shocking image of a foot, the camera pans
up the mans body. Shockingly, after moments we realise that
he is infact naked. This is seen as taboo within a music video and provokative. Many aspects of sex are shown one way or another within a music video, allowing the artist to
fulfil the audience's interest of erotic art. We coulc infer that the artist is reflecting the idea of feeling completely naked after the loss of his girlfriend. This shows us that in the life he now lives, he is missing a vital factor of his every day life, her. Within the first few moments of the video, the lighting is simplistic and the background appears a similar colour to the artist's skin tone. The subtle colour scheme gives a natural look to the music promo, conflicting the usual bright colour scheme occuring in most promo's.



 The artist has chosen to wear green contact lenses during this music promo. Most artists have one key aspect which they are known for. The brightness of his eyes against the pale watercoloured setting demands the audience's attention. A personal connection is made due to the direct eye contact, we as an audience feel a relation towards the artist as a personal level of connection is made. Eye contact allows us as an audience to feel the emotion of the song, highlighting the importance of the lyrics behind the promo. The camera is placed slightly below the artist to suggest a similar level of power to the audience, but the slight angle makes us feel the lyrics are worth listening too and showing he is slightly superior to us.

Throughout the video, the once plain background begins to turn into shapes and become coloured in. This could reflect the idea of the girl in his life, filling his world with colour, however this goes against the idea of the traumatic break up. During this part of the promo, I was interested to see what would happen as the man's world slowly starts to begin coloured in by what we assume to be this woman within his life. The colours remain light to ensure that they don't outshien the artist. The narrative of the piece by this time begins to play on the mind and confuse the audience, this confusion keeps their interest as they are always wanting to figure out the reason behind the video.
The video then sets the clip into fast motion as the beats of the music increase. This could reflect the speed in which he became so attached to the girl appearing within the promo, and how quickly she changed his life.  

Although the camera shots remain similar throughout the video, appearing close up on the left or right side of the artists body or just below his eye level, the key aspect of this video is that the background changes as the foreground remains similar. The paint begins to go over the artist, reflecting how the love he felt towards the lady effected himself, as well as the world around him. No changes of lighting occur throughout, and the mise-en-scene keeps only 1 settings. The once light coloured room has become a work of art, suggesting the man's life was a blank canvas before meeting the woman within the song, allowing her to add colour to his life.

Towards the end of the video, the artist appears non existant as he has been completely covered in coloured paint. We could infer that he is no longer human after the break up from his partner and has become part of the background as he is unable to live and has been cut out of her world and set to the back of her mind. The only human connection at this point, which we have with the artist now is with the coloured eye contacts he is wearing to keep the personal connection to the audience. The shot still remains the same and the paint covering of his face is done in one take. This shows the simplicity of the video but is aesthetically pleasing to watch.



The end shot of the promo shows the connection between the male and female. Both artists have been shown to blend into the background, this could represent the ending of their love as they slowly get over the relationship, however the woman's face ramins unpainted showing her dominance in the break up. This could mean that he thinks the love is undying and he will never fully be able to get over.

 This video is a mix of all 3 main genre's of promo.

 It is Lyrical due to the constant lip syncing throughout the video and no clear narrative being shown through acting and complex camera shots via action and reaction.
However, the video is also Disjointed due to the randomness of it and it having nothing to do with a love break up, other than making the audience infer things through the patterns and colours displayed throughout. It is also an Amplification video as a slight narrative is infact shown by the representation of a male and female character.





Tuesday, 12 June 2012

Conventions Of A Music Video Promo

 Purpose- for song? Album? Artist/band? Record company?

 How can a promo create a "brand image" for a performer?

 Conventions? Camera work? Editing? Sound? Mise-en-scene? Narrative? Representation?

 Where can music promos be exhibited?